Am9) can be thought of as a minor 7th chord (1  â™­3  5  â™­7) with the added interval of a 9th (9). Fmaj9) chord, depending on the context in which it's used. If you want to play the minor ninth with the bass note on fourth string, here are some voicings. It's not crucial that you learn the interval names. This extends the minor 7th sound, giving it more colour. The minor ninth is built with the formula 1-b3-5-b7-9. Some genres are dominated by minor chords, like metal or some forms of EDM. Minor 11th chords (e.g. The less common minor 6th/9th chord can be played with a similar shape, for example Em6/9 as X7567X. Most of us are familiar with using minor chords in progressions/songs. A minor ninth chord is a five-note chord that contains an added ninth interval: Minor 9th. So as you can see and hear, these extended minor shapes give us a good deal of flexibility for voice leading and reharmonisation options. A Bm9 is a minor triad with a minor 7th and a major 9th : B – D – F♯ – A – C♯. We can then reharmonise this melody by changing the chords we use underneath it. The Minor 9th (m9) chord can has a kind of mystic and ambient sound. “The Minor Ninth Chord in C#”. The 9th is the first of the upper extensions 9, 11, & 13 and so it makes sense for us to isolate and work on this one first. The keys that have been left out has no good options for being played in open position, see instead the movable shapes below. A Bm / M9 is a minor triad with a major 7th and a major 9th: B – D – F♯ – A♯ – C♯. Dm9: XX10 10 10 12 The minor 9th chord (e.g. If we play a major 9th shape on the minor 3rd, we get a minor 11th chord. I like to use this chord progression in a “1-4” turnaround. Please note that it is … However, we'll use m7b13 as the reference name of these shapes for the purpose of this lesson. Let’s take a look at common piano chord progressions in minor keys. The 1st and 6th strings are marked with "x" (the 1st string can be played if you prefer to bar the three highest strings). This means that the chords are movable and, therefore, you can easily find out how to play C#m9 /Dbm9, D#m9 /Ebm9, F#m9 /Gbm9, G#m9 /Abm9 and A#m9 /Bbm9 as well. Similar to the concepts in those lessons, we can use extended minor chords to facilitate key changes. Instructions Just press the Generate Chord Progression button and you will get the random chord sequence that is called chord progression. Try reharmonising melodies using extended minor shapes (where the top note of the shape voices the melodic note). It's also worth considering relative shapes. But as with a lot of chords, and as we'll hear later, it's the context in which we use them that reveals their true quality and function. This might seem counter-intuitive, since we're used to hearing the stronger dominant 7th sound on the 5 position. The minor 9th chord (e.g. For example, if we play a major 7th shape on the minor 3rd of, or 3 frets up from the chord root we want to play, we get a minor 9th chord. D Minor 9 Chord Charts for Guitar, Free & Printable. FOUR Chord Progressions You Might Know About Already Four simple but effective chord progressions you can use in virtually any genre or style. Minor / Major 9th. Am11) can be thought of as adding the interval of an 11th to the minor 9th chord (1  â™­3  5  â™­7  9  11). Using these chords will give us more voicing options and give our progressions a more soulful colour. Choosing the chords you’ll use and arranging them into satisfying progressions is one the most important jobs when writing a song.. A bit confused on where to go from a C Minor 9th. G sharp / A flat m9: 464446 This is where playing a familiar chord shape over a different bass/root note creates a completely different chord. Those Four Chords – Minor Edition i VI III VII A minor Am F C G D minor Dm Bb F C Subscribe  |  Donate  |  About  |  Contact  |  Site Policies. 1, 4, 5) form a movable relationship for any key. Using the table below, we can see, for example, that if we played Cmaj7 over A (or Am), we'd actually be voicing an Am9 chord... Keeping the low E string open as the root, here I'm playing Em9 using its relative Gmaj7 shapes... And here I'm playing Em11 using its relative Gmaj9 shapes... Now we have a good number of shapes to play with, let's look at applying these chords in a practical context. Start by watching the presentation below and then scroll down to go at your own pace... Extended Shapes  |  Progressions  |  Substitution  |  Reharmonisation  |  Modulation.

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