You can, for example, combine the C Blues Scale with C7, F7 and G7 chords. A tip is to use the left hand for a chord and play notes from the scale with the right. C major scale – Right Hand. He demonstrates different patterns with the left and right hand that use the notes in this scale in a 12-bar blues riff. For now, let's put our blues progression to work! There are all sorts of turnarounds in blues music, but we'll talk about those a little later. This is appropriate for around level 1 piano. How To: Play the Blues scale and other licks in the right hand on the Piano How To: Play left hand blues riffs in C on the piano How To: Play the C minor blues scale on the piano How To: Play blues piano riffs with the right hand How To: Play slash chords on the piano At first there is a basic exercise, with the left hand and right hand playing the same notes in unison. This video would be helpful to anyone learning to play blues piano. The blues chord progression lasts 12 bars (thus the phrase “12-bar blues”) that move in a familiar pattern using those three chords. The scale studies are broken down into intervals and the exercises contain three and four-part chords, playing each note individually. Scales are usually played ascending (going up) then descending (going down). (For the sake of brevity, I’ll only look at playing blues in the key of C). Knowing the correct piano fingering for your left hand improves playing speed and eases the formation of piano chords. Blues Piano Run #1 – Crunch Run 8th note run for beginner pianists. I'm going to show you a simple pattern that you'll hear in a lot of blues and early rock music. The main way piano scales differ from scales on other instruments is that you can play them with both your hands at the same time! If you analyse the notes of C blues scale over F7, it gives you a b9 colour. 1) The blues scales of chords a 5th away will always sound good. The reason for this is to train the often neglected left hand. Or, in the same way, the G Blues Scale with the chords G7, C7 and D7. Generally, your left hand plays the notes lower (to the left) of middle C—the lower staff or bass clef—and supports the melody, as well as sets the rhythm. Isn’t that awesome?!? For example, over F7, the keys on either side are of F in the circle of 5ths are C and Bb, and so the C and Bb blues scales would both sound great over F7. This is the secret piano blues scale! With your left hand find the G key and the D key and strike them both together. Essentially, the blues is a specific progression that uses the C7, F7, and G7 chords. After you understand the scale, you can experiment on your own. This is because of the similarities in the key. We’re still going to keep it hands separate – all things in good time! Here is a great lesson on Skoove to familiarize yourself with the C-major scale in the left hand. Before we look at why they work, here’s a common blues scale in the key of C so you can finally see what it looks like – As you can see this scale is now very different from the original C major scale and the D, E, A and B have been removed and we now have some new notes as well – Eb, F# and Bb. As you can see, where are “crunching” the first 3 notes of the C Blues Scale, the C, Bb, and the G. Then we play a gospel progression (Cm to F major) using a rocking motion between the top notes of these chords and the bottom notes. Sheet music for C major scale.


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